Job description of the artistic director of the theater. Artistic director of a theater and entertainment enterprise Job description Description of work, tasks and job responsibilities

APPROVE:

[Job title]

_______________________________

[Name of company]

_______________________________

_______________________/[FULL NAME.]/

"______" _______________ 20___

JOB DESCRIPTION

Artistic director of the theater

1. General Provisions

1.1. This job description defines and regulates the powers, functional and job duties, rights and responsibilities of the artistic director of the theater [Name of the organization in the genitive case] (hereinafter referred to as the Organization).

1.2. A person with higher professional education and experience is appointed to the position of artistic director of the theater creative work at least five years.

18 digit- in opera and ballet theaters (including those with the title of "Academic"), in all other academic theaters.
16-17 digits- in theaters of musical comedy (operetta), musical drama, drama theaters, youth theaters, puppet theaters, philharmonics, independent musical and dance groups, symphony, chamber, brass bands and orchestras of folk instruments as part of philharmonic societies, in concert halls with legal personality, circuses.
15 category- in other theaters and artistic groups.

1.3. Artistic director theater is appointed and dismissed by the head of the organization (theater).

1.4. The artistic director of the theater belongs to the category of managers, reports directly to the [name of the position of the immediate supervisor in the dative case] of the Organization.

1.5. In his activities, the artistic director of the theater is guided by:

normative acts on issues of culture and art;
methodological materials related to relevant issues;
the Charter of the Organization;
labor regulations;
orders and orders of the head of the organization (theater), immediate supervisor;
this job description.

1.6. The artistic director of the theater must know:

laws Russian Federation and decisions of the Government of the Russian Federation on issues of culture and art;
orders, orders and other regulatory documents approved by the Ministry of Culture and Mass Communications of the Russian Federation and the head of the Organization (theater);
organization of theatrical (musical) production;
psychology of management and creative work;
modern and classical domestic and foreign dramaturgy and musical literature;
classical and modern repertoire of musical theaters and concert organizations;
history and contemporary issues domestic and world theatrical, musical art;
basics of labor organization, labor legislation and copyright;
rules and regulations of labor protection, safety and fire protection;
provisions of this job description.

1.7. During the period of temporary absence of the artistic director of the theater, his duties are assigned to [deputy position].

2. Job responsibilities

The artistic director of the theater performs the following labor functions:

2.1. Carries out the organization of the whole complex of creative and production activities of the theater.

2.2. It ensures the artistic quality of the repertoire, which contributes to the formation and satisfaction of the needs of the population in the performing and musical arts.

2.3. Determines the readiness of performances and makes decisions on their public performance.

2.5. Ensures the development and fulfillment of obligations under concluded contracts.

2.6. Organizes work to develop creative ties with teams of enterprises, institutions, organizations, entrepreneurs in order to promote theatrical and musical art and attract extrabudgetary funds for its development.

2.7. Takes measures to provide the theater with qualified personnel, their proper placement and rational use.

2.8. Creates the necessary conditions for the creative growth of the artistic staff.

2.9. Provides an organic combination of economic and administrative methods of management, moral and material incentives for the development of the activity of employees in creative and industrial activities.

2.10. Contributes to the formation and preservation of a favorable moral and psychological climate in the team.

2.11. He entrusts the solution of certain issues within his competence to other theater workers.

In case of official necessity, the artistic director of the theater may be involved in the performance of his official duties overtime, in the manner prescribed by law.

3. Rights

The artistic director of the theater has the right to:

3.1. Get acquainted with the draft decisions of the head of the Organization (theater) relating to his activities.

3.2. Participate in the discussion of issues related to their official duties.

3.3. Submit proposals for improvement of the work related to the responsibilities provided for in this instruction for consideration by the management.

3.4. Improve your skills.

3.5. Receive from the heads of structural divisions, specialists information and documents necessary for the performance of their duties.

4. Responsibility

The artistic director of the theater bears administrative, disciplinary and material (and in some cases, provided for by the legislation of the Russian Federation, also criminal) responsibility for:

4.1. Failure to perform or improper performance of their duties under this job description - in accordance with applicable labor laws.

4.2. Offenses committed during the period of its activities - in accordance with the current civil, administrative and criminal legislation.

4.3. Causing material damage - in accordance with applicable law.

4.4. Violation of the Internal Labor Regulations, fire safety and safety regulations established in the organization.

5. Working conditions

5.1. The mode of work of the artistic director of the theater is determined in accordance with the Internal Labor Regulations established in the Organization (theater).

Acquainted with the instruction ___________ / ____________ / "__" _______ 20__

0.1. The document comes into force from the moment of its approval.

0.2. Document developer: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _.

0.3. Document approved: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _.

0.4. Periodic verification of this document is carried out at intervals not exceeding 3 years.

1. General Provisions

1.1. The position "Artistic director of the theater and entertainment enterprise" belongs to the category "Professionals".

1.2. Qualification requirements - complete higher education in the relevant area of training (master, specialist) and advanced training. At least 5 years of creative experience.

1.3. Knows and applies:
- current legislation in the field of culture and art;
- the most important cultural and artistic achievements;
- methodology of the creative process;
- the basics of stage design, directing, vocal, choreographic, acting and musical performance skills;
- work experience of domestic and world cultural institutions;
- classical and modern repertoire;
- basics of labor organization and management, copyright and labor law;
- internal labor regulations;
- rules and norms of labor protection, industrial sanitation and fire protection.

1.4. The artistic director of the theater and entertainment enterprise is appointed to the position and dismissed from the position by order of the organization (enterprise / institution).

1.5. The artistic director of the theater and entertainment enterprise reports directly to _ _ _ _ _ _ _ _ _ _ .

1.6. The artistic director of the theater and entertainment enterprise directs the work of _ _ _ _ _ _ _ _ _ _ .

1.7. The artistic director of the theater and entertainment enterprise during his absence is replaced by a person appointed in accordance with the established procedure, who acquires the appropriate rights and is responsible for the proper performance of the duties assigned to him.

2. Description of work, tasks and job responsibilities

2.1. Organizes the whole complex of creative and production activities of the theater and entertainment enterprise.

2.2. Defines the general artistic and creative concept, perspectives creative activity in the general state cultural policy.

2.3. Forms repertoire plans, determines the deadlines for their implementation and monitors their compliance.

2.4. Responsible for the creative and economic results of the theater and entertainment enterprise.

2.5. Provides the artistic quality of the current repertoire, contributing to the formation and satisfaction of the needs of the population in the performing and musical arts.

2.6. Attracts leading masters to creative cooperation, works with composers, writers to create new musical and literary works, maintains constant contact with creative unions, the media.

2.7. Provides qualified acquisition and use of creative personnel.

2.8. Carries out educational work, determines the system, forms and procedure for improving the professional qualifications of creative workers.

2.9. Controls the creative and labor discipline of artistic and artistic personnel, makes proposals on the pricing of artists, incentives and disciplinary sanctions.

2.10. Knows, understands and applies the current regulatory documents relating to its activities.

2.11. Knows and complies with the requirements of normative acts on labor protection and environment, complies with the norms, methods and techniques for the safe performance of work.

3. Rights

3.1. The artistic director of the theater and entertainment enterprise has the right to take actions to prevent and eliminate the occurrence of any violations or inconsistencies.

3.2. The artistic director of a theater and entertainment enterprise has the right to receive all social guarantees provided for by law.

3.3. The artistic director of a theater and entertainment enterprise has the right to demand assistance in the performance of his duties and the exercise of his rights.

3.4. The artistic director of the theater and entertainment enterprise has the right to demand the creation of organizational and technical conditions necessary for the performance of official duties and the provision of the necessary equipment and inventory.

3.5. The artistic director of the theater and entertainment enterprise has the right to get acquainted with the draft documents relating to his activities.

3.6. The artistic director of the theater and entertainment enterprise has the right to request and receive documents, materials and information necessary for the performance of his duties and instructions of the management.

3.7. The artistic director of a theater and entertainment enterprise has the right to improve his professional qualifications.

3.8. The artistic director of the theater and entertainment enterprise has the right to report all violations and inconsistencies identified in the course of its activities and make proposals for their elimination.

3.9. The artistic director of the theater and entertainment enterprise has the right to get acquainted with the documents defining the rights and obligations of the position held, the criteria for assessing the quality of performance of official duties.

4. Responsibility

4.1. The artistic director of the theater and entertainment enterprise is responsible for failure to fulfill or untimely fulfillment of the duties assigned by this job description and (or) non-use of the rights granted.

4.2. The artistic director of the theater and entertainment enterprise is responsible for non-compliance with the rules of internal labor regulations, labor protection, safety, industrial sanitation and fire protection.

4.3. The artistic director of a theater and entertainment enterprise is responsible for disclosing information about an organization (enterprise/institution) that is a commercial secret.

4.4. The artistic director of the theater and entertainment enterprise is responsible for non-fulfillment or improper fulfillment of the requirements of the internal regulatory documents of the organization (enterprise / institution) and the legal orders of the management.

4.5. The artistic director of a theater and entertainment enterprise is liable for offenses committed in the course of his activities, within the limits established by the current administrative, criminal and civil legislation.

4.6. The artistic director of the theater and entertainment enterprise is responsible for causing material damage to the organization (enterprise / institution) within the limits established by the current administrative, criminal and civil legislation.

4.7. The artistic director of the theater and entertainment enterprise is responsible for the misuse of the granted official powers, as well as their use for personal purposes.

At least fourteen theaters in 2013-2017 concluded more than 60 contracts for a total amount exceeding 97 million rubles with their own managers as individuals or individual entrepreneurs. Theaters hired their artistic directors as actors and directors, as well as rented rooms and props from them for productions.

So, the head of the "Helikon-Opera" Dmitry Bertman received from his theater an average of about 440 thousand rubles. for staging one performance, the head of the Pushkin Theater Evgeny Pisarev - 480 thousand rubles each, the head of the Theater in the South-West Oleg Leushin - 180 thousand rubles each, the head of the Gogol Center Kirill Serebrennikov - 345 thousand rubles each. For acting in their theaters, Oleg Tabakov and Oleg Menshikov earned more than 600 thousand a month, Nadezhda Babkina - 520 thousand a month.

Yuri Kuklachev signed two contracts for the lease of premises with his own son for 3.76 million rubles, and Pavel Slobodkin rented the premises of his theater and concert center for two years from a company in which he owns a 50% stake for 38.6 million rubles. At the same time, they all continued to receive the salary of artistic directors. state theaters.

As a rule, the deputies of the artistic directors signed the deals on behalf of the theatre. Obviously, they depend on their immediate superiors and cannot make decisions against their interests. This means that this does not exempt theater managers from conflicts of interest.

All contracts are concluded on a non-alternative basis - with a single supplier. The justification for the contract stated that the artistic directors of the theaters were better than others to put on performances and play roles in them.

IP Evgeny Pisarev performs in the play directed by Evgeny Pisarev (photo from the website of the Pushkin Theater)

In addition, verification of the fact of approval seems difficult: hypothetically, theater managers can coordinate transactions in the Department of Culture retroactively after receiving a request from the prosecutor's office to provide documents on transactions.

For example, the play "Green Zone" by Evgeny Marchelli was shown before approval from the Ministry of Culture of the Russian Federation.

“Giving great importance to the role of leadership in the theatre, today we are publishing the Rules for Artistic Directors and Directors.

1. If you definitely want to have your own face - do not forget to first get your own head. All attempts to circumvent this rule ended in failure.

2. When taking office, do not officially announce that everything that happened before you was terrible, and that from now on everything will be fine. At one time it was already said by your predecessor.

3. Reading a repertoire plan drawn up for five years in advance makes a great impression. It would have been even more effective to draw up a plan for fifty years in advance, by this it would be possible to tie the descendants hand and foot. Fortunately, the resonance from such literature lasts no more than a week, after which the planner himself forgets about it.

4. When erecting an inscription in the theater - “THE ROAD OF YOUTH!”, It is better to place it along this road, and not across.

5. When nominating a young actress for a good role, try to release the premiere before the actress retires.

6. If you like to put on boring performances, be human and print crossword puzzles on the back of the programs. The introduction of dominoes in the auditorium is undesirable, as it distracts the actors.

7. Do not dissolve into actors without a trace. Mysterious picture - "Where is the director?" already sufficiently used, and the viewer is looking for other entertainment.

8. Keep in mind that actors tend to be in one of two states: a) overworked from overload and b) empty from underloading. Transitional stages are extremely rare. Try to keep the actors in the first state, it's more useful for business.

9. If you set out to please everyone in your theater, then very soon you will be hated by everyone.

10. Don't make promises. The actor who did not play the role of Hamlet that you promised him will console himself with the fact that he will play the part of your gravedigger.

11. Know that nothing improves the health of the main performer like having a talented understudy. Therefore, the hygiene of the troupe requires attention to the second composition.

12. The critic, invited by you to the post of zavlit, can no longer scold you for ethical reasons. All that ethics can allow him is to scold your opponent.

14. If you have people in the theater who tell you to your face that you are a genius, disguise yourself as the artistic director of the neighboring theater and resume the conversation with them in this form. If at the same time they insist on their assertion, you will find out one undoubted truth: that you do not know how to make up.

15. Be tolerant of your opponent's views, especially if the main difference in your views on the theater is that he collects porcelain, and you collect faience.

16. Remember that the best cookbook is no excuse for spoiling your dinner. Therefore, the quality of the performance you staged is much more significant than the system by which you staged this performance.

17. Some believe that creative declarations are complementary to practical activities. And if something was not enough in practice, then you can add it in words. This is not true".

Akimov N.P., Rules of good manners / About the theater, L., "Art", 1962, p. 301-303.

Theater director

Education:
GITIS them. Lunacharsky, 1985 release, workshop of the People's Artist of the USSR I.V. Ilyinsky and prof. Topchieva L.G.

Serves as an actor of the theater "NEAR the Stanislavsky House" since 1977.
He is the director and actor of the State Budgetary Educational Institution of Moscow “MDT ApARTe”.
Artistic director of the leisure cultural institution "Theatre House" Stary Arbat ".

Roles in the theater "ApARTe":

Polonius - "Hamlet" by W. Shakespeare (dir. G. Strelkov);
Mayor - “Inspector. 1835 "N.V. Gogol (dir. A. Lyubimov);
Gazgolder Dmitry Aleksandrovich - "Road of Flowers" by V. Kataev (dir. T. Arkhiptsova);
Baron - "Little Tragedies" based on the works of A.S. Pushkin (dir. A. Lyubimov);
Glov Sr. - “Players” by N.V. Gogol (dir. D. Efremov).

Stage director of the play “MDT “ApARTe” “The fool took pity on the fool” based on the play by S. Rubbe “Juliet” (premiere of the season 2015/2016).

FILMOGRAPHY:

1987 "Citizens of the Revolution" Sverdlovsk film studio, film director, dir. Serg. Martyanov, the role of Kostromin;
1992-1994 "Goryachev and others" series, 1st channel, the role of Ivan Afanasyevich;
2000 "Portrait of the Madonna", channel culture, dir. Y. Pogrebnichko, the role of Mr. Abrams;
2003 "Return of Mukhtar" series, dir. V. Shalyga and A. Polynnikov, the role of Tambour;
2004-2008 "Blind" (Liquidator), series, dir. S. Mokhovikov, S. Lyamin, episodic role Psychologist;
2006 Ostrog. The case of Fyodor Sechenov, series, dir. S. Mats, S. Danelian and other episodes. the role of a lawyer;
2007 "Atlantis" series, RWS studio, dir. A. Sukharev episode. the role of a lawyer;
2007 Alibi Agency series, dir. P. Safonov (series: "Philosopher's Stone"), the role of Professor;
2008 "Door" short film, dir. O. Galin, Ch. the role of Mikhail Ivanovich;
2009 "Lair of the Serpent", TV series, dir. Yu. Kuzmenko, the role of the head physician;
2010 "Fomich" short film, Preobrazhenie studio, dir. Nick. Shkunov, main role Fomich;
2011 "Furtseva" Channel One, series, dir. S. Popov, the role of A. Mikoyan;
2011 "Gulchatai" series, dir. R. Prosvirin, the role of Lev Davydovich;
2102 Team Che, series, dir. A. Sukharev, (series "Players") the role of Goykhman;
2014 "Craftsmen", series, dir. Sun. Aravin, the role of Sturm;
2016 Cycle of feature films "Dear Great Books", Culture channel, dir. T. Arkhiptsova, host (librarian).

ROLES IN THE THEATER (today):

Zhevakin - “Marriage of N.V. Gogol, director Y. Pogrebnichko, theater NEAR the Stanislavsky house,
Man - "Man and Woman" by S. Zlotnikov, dir. Y. Pogrebnichko, theater NEAR the Stanislavsky house,
Glov - "Players" N.V. Gogol, director A. Levinsky, theater NEAR the Stanislavsky house,
Nagg - "The End Game" by S. Beckett, dir. A. Levinsky, theater NEAR the Stanislavsky house,
Slocum - "About all the falling" S. Beckett, dir. And Levinsky, the theater NEAR the Stanislavsky house,
Aramis - "The Three Musketeers" by A. Dumas, dir. Yu, Pogrebnichko, theater "NEAR the house of Stanislavsky,
Uncle Julius - "Kid and K." A. Lindgren, dir. I. Oks, theater NEAR the Stanislavsky house,
Julitta - "We need a tragic actress" A. Ostrovsky, dir. Y. Pogrebnichko, theater NEAR the Stanislavsky house,
Mr. Abrams - "Portrait of the Madonna", dir. Y. Pogrebnichko, Williams, theater NEAR the Stanislavsky house.

Actor, director, founder and artistic director of the ApARTe theater.

Education: graduated in 1985 State Institute theater arts majoring in acting drama theater”, and in 1989 - with a degree in musical theater director.

Since 1979, A.G. Lyubimov went through a serious theater school at the Youth Theater-Studio "On Krasnaya Presnya" under the direction of V.S. .

In 1987 he created the theater-studio "Group Citizens". His performances dog's heart” by M. Bulgakov and “Invitation to Execution” by V. Nabokov became laureates of the Lefortovo Games-87 festival.

In 1993, the theater-studio "Group Citizens" was transformed into the Moscow Center for Performing Arts "ApARTe", and in 1998 - into the Moscow Drama Theater "ApARTe", where A.G. Lyubimov serves to this day, puts on performances, plays roles .

The performances of director Lyubimov are always positive and moral. The main thing in them is “an analysis of modern morality, designed for a thinking viewer, questions of a person’s responsibility for his deeds, respect for the language of a work” (“The Moscow Times”). The productions created by the director on modern material are also imbued with the topical theme of responsibility to society and one's own conscience.

His performances were presented at festivals in Moscow, Berlin, Paris, Frankfurt, Magnitogorsk, Pskov, Omsk, Vitebsk.

As a director and actor, Lyubimov is constantly mastering new genres. In 2009 at the School modern dance"Matisse" he staged a choreographic performance "Yin without Yang", and within the framework of International Festival"ARMMONO" - solo performance "Call from Above".

A. Lyubimov - founder and artistic director of the International Festival "Young Theaters of Russia", which promotes the achievements Russian theater. He educates a new generation: he teaches at the Slavonic University of Moscow, leads a children's theater studio Theater House "Old Arbat"

A. Lyubimov is an actor with great potential, who successfully realizes both in his own productions and in the performances of his colleagues. “His acting work always sets the rhythm of the performance, becomes its semantic core” (Theatrical cash desk magazine about “Measure for Measure”, awarded by the Department of Culture of the City of Moscow for the best directorial debut in 2006). “He is always different and always the conductor of the play” (“Planet Beauty” about the play “About Wet Snow”).

1979-1987 - Actor and director of the Theater on Krasnaya Presnya.

Performances:

"A Seagull named Jonathan Livingston" R. Bach (1980);
The Catcher in the Rye by JD Salinger (1980);
“Imagine” J. Lennon (1981);
"Fantasy" K. Prutkov (1982);
"Goodbye, my friend..." B. Vasiliev (1983).

1987-1993 - thin. head of the theater-studio "Group Citizens".

Performances:

"Heart of a Dog" M. Bulgakov (1987);
"Run, rabbits, run" F. Iskander (1988);
"Invitation to execution" V. Nabokov (1989);
"Tsar F.I." A. Tolstoy (1990);
"Captain, captain, smile" J. Verne (1991);
Oedipus Rex by I. Stravinsky (1992);
"Death of Tarelkin" A. Sukhovo-Kobylin (1993), GITIS.

Artistic Director of the Moscow Center Performing Arts(MCCA) "ApARTe".

Performances:

"Telephone" by C. Menotti (1994), Moscow, RATI;
"A long time ago" A. Gladkov (1995), Omsk, State Musical Theatre
"Crime and N." F. Dostoevsky (1995), Berlin, "ORNTNEATER" (with MCCA "ApARTe")
"Playing Gogol" N. Gogol (1996), Paris, "ARIATEATRO" (with MCCA "ApARTe")
"Innkeeper" K. Goldoni (1996), Omsk, State Fifth Theater
"Talents and Admirers" A. Ostrovsky (1996), Yekaterinburg, academic theater drama
"Three visits of Dr. Astrov" A. Chekhov (1997), Omsk, "State Fifth Theater"
"Tales of Belkin" A.S. Pushkin (1997), Omsk, State Chamber theater

From 1998 to the present - artistic director of the Moscow Drama Theater "ApARTe".

Performances:

"Ivan and the Devil" F. Dostoevsky (1998), Moscow, "ApARTe"
“What is in my name for you” A.S. Pushkin (1999), Omsk, State Chamber Theater
"Woe from Wit" A. Griboyedov (2000), Moscow, Class Theater
"About wet snow" F. Dostoevsky (2000), Moscow, "ApARTe"
“Captain, captain, smile” J. Verne (2001), Moscow, ApARTe
"Masha, Irina, Olga and others." A. Chekhov (2003), Moscow, ApARTe
"Trouble from a Gentle Heart" (Vaudeville) V. Sollogub (2004), Moscow, "ApARTe"
"Phaedra" J. Rasin (2005), Moscow, "ApARTe"
“And I loved this fool” A. Yakhontov (2006), Moscow, ApARTe
Solaris. Inquiry” by S. Lem (2006), Moscow, “ApARTe”
"French passions at a dacha near Moscow" (2007), Omsk, "State Fifth Theater"
"The Chronicle of the Forgotten Island" G. Egorkin (2006), Laboratory of Modern Dramaturgy STD RF
"Strangers don't walk here" V. Zuev (2007), Laboratory of Modern Dramaturgy STD RF
"Strangers don't walk here" V. Zuev (2009), Moscow, "ApARTe"
"Agatha Christie. Detective" - Meredith Blake (dir. A. Lyubimov), "ApARTe"
"About Lyubov Ranevskaya" based on the play by A. Chekhov " The Cherry Orchard"- Lopakhin (dir. A. Lyubimov), "ApARTe"
"Auditor. 1835 "N. Gogol - Artemy Filippovich Strawberry (dir. A. Lyubimov), "ApARTe"
"Little Tragedies" based on the works of A.S. Pushkin, "ApARTe"
"Fathers & Sons" I. Turgenev, "ApARTe"
"At the bottom" M. Gorky, "ApARTe"
"Save Captain Grant" J.Verne, "ApARTe"
"Scary Tales" based on the works of V.F. Odoevsky; A. Pogorelsky; V.P. Titov and A.S. Pushkin, ApARTe

Movie roles:

"Golden Wedding" (dir. N. Motuzko).