The traditional perception of Tikhon as "dumb and lazy" needs to be clarified.

It is unlikely that at the beginning of the play Tikhon loves Katerina (remember, he married her without any heartfelt inclination, on the orders of his mother). True, young Kabanov undoubtedly pities his wife, treats her with obvious participation and, as best he can, seeks to alleviate her plight. But just the possibilities of it are very small. He was never able to become a true protector of Katerina, and she was looking for a protector in him first of all.

And yet it was Tikhon who was given, if not to understand, then, in any case, to feel the depth of Katerina's feelings, the hopelessness of her situation. Something more was given to him - the ability to sympathize, forgive, that mercy, which Marfa Ignatievna Kabanova is completely deprived of.

It just so happens in life that we begin to love a person only when we lose him. Tikhon unexpectedly feels tenderness for Katerina at the very moment when he suddenly realizes that he has lost her. Quite recently, he still had no doubt that nothing terrible could happen to Katerina, that she would always, in any case, be there, would belong to him. And only when the terrible truth is revealed to him, new feelings suddenly awaken in him.

Unfortunately, students often read the text artwork not very attentive, but, in any case, they do not always pay due attention to the author's remarks in the play. To the question "what does Tikhon do after Katerina's bitter confession?" (“And all the same, I walked for ten nights ...”) most often, tenth-graders answered:

- Hit her... Turned away... Cried...

Do you remember what Tikhon did?

He did something so unexpected that perhaps it will make you think about the mysteries of human psychology.

Tikhon changes at the end of the play, but this began even before Katerina's suicide. That is why the ending of the fourth act is so important. A direct bridge stretches from it to the beginning of the fifth act, where we are talking about recent events at the Kabanovs' house.

Having conveyed his mother’s words about Katerina (“she must be buried alive in the ground”), Tikhon says to Kuligin: “But I love her, I’m sorry to touch her with my finger. He beat me a little, and even then my mother ordered. It's a pity for me to look at her, you understand this, Kuligin. Mommy eats her up, and she, like a shadow, walks, unanswered. Only cries and melts like wax. So I'm killing myself looking at her.

These words often do not attract attention, are not commented on. And it is precisely here that one of Ostrovsky's great lessons is contained. Tikhon reveals such a subtlety of feelings, such an unusual delicacy, such sympathy for the grief and suffering of a person close to him, that you simply wonder where he got these words from. After all, we are talking about the wife who cheated on him! And he speaks first of all not about himself, but about her, he calls her unrequited, he pities her, he himself is killed, looking at her ...

Now Tikhon looks at Katerina with different eyes. He finally saw in her a person - unhappy, suffering, repentant. Instead of a rude and close-minded merchant who condescendingly looked at his young wife, we have a man who can rise to the heights of genuine drama.

Something happened to Tikhon. The eyes that artificially tightened his human feelings, his soul, were destroyed, and he finds the strength in himself to exclaim in front of everyone: “Mother, you ruined her! You, you, you..." material from the site

It is not worth condemning Tikhon for the fact that he blames one mother for all the troubles that have befallen his family, not being able to rise to the realization of the more general and more formidable reasons for the death of Katerina. It is enough that Tikhon in the finale becomes a figure of a tragic plan. This is how Ostrovsky's favorite artist A. B. Martynov played this role. Contemporaries recalled that Martynov performed the last scene with amazing force. He truly made the audience cry. Tikhon, performed by a remarkable artist, appeared before the audience as a person who felt in himself a new person, capable of defending his human dignity.

However, in relation to the young Kabanov, schoolchildren are often condescending. But Boris causes almost unanimous contempt.

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In the play "Thunderstorm", which was written by N. Ostrovsky, no strong male characters(an exception is, perhaps, Wild). The image of Tikhon Kabanov is one of the main ones in this work. The author shows the hero as a victim " dark kingdom". Kabanov does not have the strength to live the way he wants, so he completely obeys the will of his mother. Thanks to this character, the author opened to the reader many problems related to the influence of society on the individual.

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Tikhon is presented as a weak-willed and weak person, who is greatly intimidated by his own mother and is not able to stand up for his wife Katerina. N. Ostrovsky chose a name to match the character. After reading the work "Thunderstorm", you can give a detailed description of this character, based entirely on his actions, behavior and relationships with his wife and mother.

Characteristics of the image

The whole life of the protagonist is dictated by his mother, he is afraid to express his opinion, therefore he completely obeys her.

Tikhon loves his wife Katerina in his own way, but he is not able to see her passionate and freedom-loving nature, her soul. The whole problem lies precisely in this. Due to such difficulties, main character finds an outlet in alcohol and business trips to Moscow. A business trip for him is an opportunity to work up.
By itself, Tikhon Kabanov is weak and spineless. However, it is not surprising, since from childhood his attempts to make decisions on his own were suppressed by his mother. It was her tyranny that caused such infantile behavior.

Relationship with wife

Tikhon cannot even stand up for his own wife when his mother attacks her. The only thing he can do is to ask Katerina not to pay attention to his mother's tyranny and to pass all offensive words past her ears.

Did he love his wife? Yes, but only in his own way, based on the moral principles that his mother imposed on him. He didn't show his feelings. Ultimately, Tikhon's behavior led to the fact that his wife fell in love with another.

She chose the opposite of her husband. Boris - her chosen one - was a city slicker, with him she was ready to drop everything and start new life. However, Boris differs from the rest of the inhabitants of Kalinov only in appearance. He did not have a strong character, so he could not oppose anything to Wild, like Tikhon to his mother.
The news of the betrayal of his wife the protagonist took it coolly, it did not cause him rage or anger. It feels like he doesn't care. In this situation, he was completely dependent on the opinion of his mother. He was even ready to forgive Katerina, but his mother was against it.

The hero of the play feels sorry for his wife in his own way, because he understands that it was he who pushed her to treason. After all, Kabanov saw how his beloved was suffering, but he did not take any decisive action.

Only after the death of his mother Kabanov decides on a small rebellion, a coup. Over time, he realizes that the reason for his spinelessness is his own mother.

  • spinelessness;
  • lack of initiative;
  • softness;
  • infantilism.

N. Ostrovsky tried to show that all the problems of Tikhon are rooted in his childhood. It is easier for this character to always be in the shadows than to express his opinion. He chooses the path with the least resistance.

According to the plot of the work, Kabanov is more than once convinced of his own helplessness and spinelessness. Traits such as childish infantilism and softness make him a spineless person who is incapable of making decisions.

What gives the play the image of Tikhon

The author reveals the following negative features in his work:

  • indecision;
  • silence;
  • inactivity.

All of them are inherent in the main character throughout the play. Only at the end, after the suicide of his wife, Tikhon understands what his problem is, why he has such a character, and who is to blame for this. Such a tragedy prompted the main character to publicly blame his mother for the death of his wife. For the first time he went against her, thereby inflicting the most terrible blow.

The image of Kabanov is a symbol of the end of the matriarchal way of life. By himself, he is not an evil person, but weak, and therefore found himself between two fires - mother and wife.

N. Ostrovsky in his play "Thunderstorm" reveals a bunch of social problems . Based on the main character - Tikhon - he shows the consequences of a tyrannical upbringing. This work teaches that society and loved ones have strong influence on the formation of a person's character, sometimes this can be decisive. So, it was the mother and society that made Kabanov a downtrodden person, a slave of fate. All the problems of the hero come from childhood, his parents did not teach him to love and show his feelings.

The end of the play is ambiguous and tragic. Good never triumphed, but neither did evil. The whole conflict that is revealed in the work is based on the emotional struggle of the protagonist. Tikhon attracts the reader's attention primarily with his kindness, but at the same time repels him with inactivity and lack of character.

Tikhon Ivanovich Kabanov - one of the main characters of the play "Thunderstorm", the husband of Katerina, the son of Kabanikh. He belongs to the younger generation of Kalinovites and, in a sense, marks the end patriarchal way of life. The young people of Kalinov no longer want to live according to the old order, but they all express this protest in different ways, each according to his character. Unlike Katerina, who is a maximalist and takes an uncompromising position, Tikhon, Varvara and Kudryash have learned to adapt to the established order and, despite the oppression of their elders, live by their own rules.

Formally, they recognize the traditional order, but in reality they act as they want.

Tikhon is a kind man, but weak. He does not see the need to adhere to old traditions in everyday life, but he is not going to openly go against his mother either. The hero tries in every possible way to avoid conflicts and is torn between sympathy for his wife and fear of his mother. He loves Katerina, but does not understand her suffering. The gentle nature of Tikhon does not allow him to help his own wife and support her. Kabanikha demands “male” actions from her son, but Tikhon does not want to show Katerina his power and demand blind obedience from her. He wants warmth, comfort and affection, but he does not receive this in his own home. Tikhon always has to play the role of an obedient son. Only long trips on business are an outlet for him: he forgets about constant humiliations, drowns them in wine. Secretly getting drunk, Tikhon, thus, expresses his protest against maternal oppression, he does not have the courage for more serious actions. He tries to teach Katerina to live according to his own principles: to ignore reproaches and humiliation, to adapt to the prevailing conditions and not to express his point of view. In a patriarchal family, the husband should be not only the ruler, but also a reliable protection, support for his wife. Tikhon does not fit this role, he is not able to save his wife from sin, because he only evokes a feeling of pity in her. Constantly humiliated by his mother's reproaches, Tikhon is sometimes even ready to vent his annoyance and resentment on Katerina. He rejoices that he will break free for two whole weeks and does not notice at all what is happening to his wife. Tikhon refuses to take Katerina with him on the trip, not realizing that this request of hers is a plea for salvation. Yes, he could save her, but he did not want to. After returning, Tikhon learns about his wife's betrayal. He accepted this news quite gently: he did not get angry, he did not lose his temper. Tikhon should have supported his wife after her public repentance, protected her from the wrath of her mother-in-law and the ridicule of the household, but he did not do this. Only, bending over the body of the dead Katerina, Tikhon decides on an open rebellion against his mother, blaming her publicly for the death of his wife.

The ending of the play is tragic and ambiguous. Good does not triumph, but evil does not triumph either. The external conflict is resolved by the collapse of the family, which is very reminiscent of the consequences of a terrible thunderstorm that brings death and destruction. In addition to the external conflict, an active struggle takes place in the soul of some heroes of the play, which becomes the basis of the internal conflict. Tikhon all the time obeyed the influence of his mother, suppressing his own individuality. He loved Katerina, but was afraid to resist maternal oppression. The death of his wife awakened in Tikhon the spiritual strength for open protest. It is this public protest that deals Kabanikhe the most terrible blow.

(408 words) In the play "Thunderstorm" by A.N. Ostrovsky there are several central characters that influenced the fate of the main character. One of these heroes was Tikhon, the son of Kabanikha. The essay presents his image and characteristics, as well as the attitude of the character to other heroes of the play.

Tikhon Ivanovich Kabanov is the son of a wealthy merchant's wife, Kabanikhi. With their sister Varvara, they are absolutely different in character, despite their family ties. Tikhon's wife main character plays - a young girl Katerina Kabanova. The author does not specify the age of Tikhon, but one can guess that he is already in adulthood.

The spineless character of Tikhon is one of the reasons for the suicide of his wife. The image of the hero can be described in a nutshell - "sissy". The hero does not act of his own accord, he cannot do anything on his own without instructions from his mother. The reader sees in him a weak, humiliated person who is forever chained to the Kabanikha. Tikhon only expresses his real opinion about his mother behind his back, only remains silent in the eyes and fulfills all her requirements. The hero is not able to leave and refuse her, because he loves very much.

Tikhon constantly suffers insults, cannot put in his word: "... Yes, when did I, mother, not endure from you? ..".

The hero did not make himself, all his shortcomings come from education. Tikhon himself says about himself that he is stupid, does not have his own opinion, which is why he does not contradict his mother. There is no core in him, it is difficult to call him a “real man”. Tikhon constantly shows his weakness, and sometimes even through tears. The character admits that his whole life is like a life sentence from which he cannot get rid of. His whole fate is torment, but at the same time he is not going to change anything.

Only sometimes can a hero feel really a free man. You can compare it to a prisoner's walk in the fresh air. He rarely, but still leaves home for work. It is at this time that the hero goes on a spree .

“... I went to Moscow, you know?<…>As I left, I took a walk. I am very glad that I broke free. And he drank all the way, and in Moscow he drank everything ... ”.

The mother is constantly jealous of her son for his wife. Tikhon feels sorry for Katerina, but he still beats his wife on the orders of Kabanikha.

At the end of the play, when Katerina dies, Tikhon blames his mother for everything. The only time the hero raises his voice almost to a screech. Kabanov finally expressed his opinion, but it was already too late. In part, it was Kabanikha who influenced this outcome of the fate of her daughter-in-law. But Tikhon is also to blame. Because of her weak-willed and spineless nature, Katerina's wife endured constant humiliation from her mother-in-law. The pressure, reproaches and insults of Kabanikh, with the complete inaction of Tikhon, brought the heroine to such an outcome.

Kabanov Tikhon Ivanovich - character characteristics

Kabanov Tikhon Ivanovich - one of the main characters, the son of Kabanikh, the husband of Katerina. In the list actors follows directly after Kabanova, and it is said about him - "her son". This is the actual position of T. in the city of Kalinov and in the family. Belonging, like a number of other characters in the play (Varvara, Kudryash, Shapkin), to the younger generation of Kalinovites, T, in its own way, marks the end of the patriarchal way of life. The youth of Kalinov no longer wants to adhere to the old ways in everyday life. However, T., Varvara, Kudryash are alien to the maximalism of Katerina, and unlike the central heroines of the play, Katerina and Kabanikha, all these characters stand on the position of worldly compromises. Of course, the oppression of their elders is hard for them, but they have learned to get around it, each according to their character. Formally recognizing the power of elders and the power of customs over themselves, they constantly go against them. But it is against the background of their unconscious and compromise position that Katerina looks significant and morally lofty.

T. in no way corresponds to the role of the husband in the patriarchal family: to be the ruler, but also the support and protection of the wife. A mild-mannered and weak man, he is torn between the harsh demands of his mother and compassion for his wife. He loves Katerina, but not in the way that, according to the norms of patriarchal morality, a husband should love, and Katerina’s feeling for him is not the same as she should have for him according to her own ideas: “No, how not to love! I feel sorry for him!” she says to Barbara. “If it’s a pity, it’s not love. Yes, and for nothing, we must tell the truth, ”Varvara replies. For T. to break free from her mother's care means to go on a spree, to drink. “Yes, mother, I don’t want to live by my own will. Where can I live with my will! - he answers the endless reproaches and instructions of Kabanikh. Humiliated by his mother's reproaches, he is ready to vent his annoyance on Katerina, and only the intercession of his sister Varvara, who secretly releases him from his mother to drink at a party, stops the scene.

At the same time, T. loves Katerina, tries to teach her to live in her own way (“What’s the point of listening to her! After all, she needs to say something! , upset by the attacks of the mother-in-law). And yet, he does not want to sacrifice two weeks “without a thunderstorm” over himself, to take Katerina on a trip. He doesn't really understand what's going on with her. When his mother forces him to pronounce a ritual order to his wife, how to live without him, how to behave in the absence of her husband, neither Kaba-niha nor he, saying: “Do not look at the guys,” do not suspect how close all this is to the situation in their family. Nevertheless, T.'s attitude towards his wife is humane, it has a personal connotation. After all, it is he who objects to his mother: “But why should she be afraid? It's enough for me that she loves me." Finally, when Katerina asks to take terrible oaths from her, T. frightenedly replies: “What are you doing! What you! What a sin! I don't want to listen!" But, paradoxically, it is T.'s gentleness in Katerina's eyes that is not so much a virtue as a disadvantage. He cannot help her either when she is struggling with a sinful passion, or after her public repentance. And his reaction to treason is not at all the same as dictated by patriarchal morality in such a situation: “Here, mother says that she must be buried alive in the ground so that she will be executed! And I love her, I'm sorry to touch her with my finger. He cannot fulfill Kuligin's advice, cannot protect Katerina from the wrath of her mother, from the ridicule of the household. He is "sometimes affectionate, then angry, but he drinks everything." And only over the body of his dead wife T. decides to rebel against his mother, publicly blaming her for the death of Katerina and it is with this publicity that Kabanikha is dealt the most terrible blow.