F yuon end of winter noon. Essays for all classes. Wonderful landscape colors
In the painting by the artist K.F. Yuon "The end of winter. Noon. Ligachevo" depicts a sunny winter day. Probably, the author captured the end of February. The picture shows the imminent approach of spring and warmth.
A wooden house and a manor on the edge of the forest catches the eye. The house is shown from the back. Here lies the firewood intended for kindling the stove. A little further away you can see another dwelling - probably this is the outskirts of the village. Or is it houses in the forestry.
The snow has not melted yet, but in many places it is already soft and loose. It is all pitted with melted traces, grooves and grooves.
It's beautiful sunny weather. The sky is still blue in winter, not blue. Long thin birches leave bluish shadows on the snow. It can be seen that very soon the sun will melt the winter snows. Chickens with a rooster walk near the house. Children are running behind the fence. They decided to go skiing while the weather is fine and the snow hasn't melted yet. Evergreen fir trees adorn the winter village landscape.
In the background of the landscape is a forest. It contains different shades: gray, and white, and bluish, and dark green. The artist skillfully combines the colors of nature on his canvas.
The snow at the edge of the forest looks pretty clean. But, perhaps, he has already melted. The atmosphere of the picture is full of cheerful mood. Winter freshness in it is perfectly combined with spring revival, the expectation of the early awakening of nature from winter sleep.
Together with the article “Description of Yuon’s painting “The End of Winter. Noon" read:
Share:Canvas, oil. 89x112 cm
State Tretyakov Gallery, Moscow
The great skill of Yuon as a landscape painter lies in the fact that he can turn the most ordinary landscape motif into an artistic image that attracts with poetry and freshness of perception of the world. One of the best examples of this is the best pictures artist “The end of winter. Noon".
The artist depicted a typical corner of the Moscow region. Country yard, snow-covered distances - everything is flooded with the rays of the sun. Trunks of birch trees and spring-like loose snow dazzling white. A wooden house on a hillock, children skiing, chickens digging in the snow give the landscape a “lived-in” and special warmth. There is a lot of true poetry in a simple, familiar landscape motif.
The painting “The end of winter. Midday "is distinguished by naturalness, vital immediacy. It seems that the artist did not think about the composition, but simply wrote what was before his eyes. But actually it is not. The composition of this canvas has its own logic, which is why the picture makes such an integral impression. In fact, the fence divides it into almost equal parts horizontally, the house on the left is balanced by the dark masses of fir trees on the right. This brings the necessary balance to the composition, prevents it from falling apart.
thoughtfulness compositional solution gave Yuon the opportunity to focus the viewer's attention on the main thing that he wanted to express, namely, on the feeling of vitality lurking in nature, on the feeling of joy, festivity that a person experiences in the face of nature triumphant in its eternal beauty. This feeling and this feeling arise mainly due to the radiant coloration, with which Yuon achieves the impression of a bright sunny day. With great skill, snow is painted in the picture, transparent blue shadows from trees, haze enveloping the forest distances. This skill made it possible to convey with great persuasiveness the state of nature on the eve of spring, when the sun begins to warm up, when the shadows become deeper, when nature wakes up after winter days.
It is important that Yuon connects the life of nature with man, whose presence brings special warmth to the picture. At the same time, the feeling of festivity that the picture radiates seems natural, alive due to the presence of people in the picture. The artist seems to be saying that his feelings when looking at this view are akin to the feelings of skiers returning from a walk. He immediately introduces the viewer into his world of feelings and thoughts, reveals to him the beauty in nature.
By means of composition and coloring, the artist affirms the ever-living life of nature and its impact on the feelings and thoughts of man. These tools are very typical. Despite its construction, the picture gives the impression of freedom and naturalness. It seems to be a fragment of a large panorama: the edges of the frame cut off the tops of birches and blue shadows from trees, the viewer mentally imagines the whole house and spruce trees behind the right edge of the picture.
The color of the picture is based on contrasting comparisons and combinations. Dark, brown-green spruces are contrasted white snow with intense blue and blue shadows. The color composition of the canvas is enlivened by a bright spot of a stack of yellow firewood and a red rooster rummaging in the snow. Colorful combinations create that emotional tension, which helps the artist to express the feeling of freshness, joy, festivity that arises when looking at this jubilant nature.
Yuon's painting testifies to the use of great realistic traditions of Russian landscape painting. Here one can recall the colorful canvases of Kuindzhi or Yuon's contemporary artist Rylov. These traditions consist primarily in the truthful depiction of nature, in the desire to find features in it that would allow the artist to express his exciting feelings. These traditions also consist in the desire to create a landscape-picture that contains Big world stating a significant idea. But it is natural that Yuon, as an extremely original and original master, reworked these traditions in his own way and expressed in his picture the thoughts that excite his contemporaries - the Soviet people of the late 1920s.
Yuon's painting “The End of Winter. Noon”, distinguished by bright, decorative sound of colors, captivates with the spirit of life-affirmation, optimism. The art of this wonderful painter will always serve as an example of purposeful and thoughtful creative work aimed at a deep understanding of reality and expression in artistic images great social ideas of his era.
KF Yuon is a true master of the lyrical landscape. The tonality of the artist's creations is almost always optimistic and bright, perhaps because his creative destiny was extremely successful.
The main theme of the canvas is “The end of winter. Noon. Ligachevo, written in 1929, is a Central Russian landscape, a typical corner of the Moscow region.
In front of us are snow-covered distances and a summer cottage drenched in the sun. A wooden house on a hillock is somehow surprisingly cozy. The snow is already loose in spring, and the trunks of birches under the rays of the sun seem dazzling.
The painter connects a person with the life of nature - chickens dig in the snow, kids go skiing - and this gives the picture a special warmth and charm.
The painting “The end of winter. Noon. Ligachevo" seems to be a fragment of a large canvas: the tops of the trees seem to be "cut off" by the frame, and the viewer contemplates the entire landscape with a house and fir trees. A competent compositional solution allows the artist to focus on the main thing - on the jubilant, triumphant beauty and power of nature.
The color scheme of the canvas is based on contrasting combinations. The dark green fir trees contrast with the dazzling snow with intense bluish shadows. With great skill, the painter paints melting snow, a bluish haze enveloping the forest, bluish shadows from trees. Yellow stacks of firewood and a rooster in the snow are two spots that enliven the canvas.
It seems that the artist draws what he sees before his eyes, without thinking or embellishing. At the same time, the picture makes an indelible impression. We see nature waiting for the arrival of spring, waking up from the winter cold. However, the seemingly simple landscape is filled with spontaneity, naturalness, real poetry.
With the help of the means of painting, K.F. Yuon was able to convey a feeling of elation, festivity, which invariably arises in anyone who looks at the awakening nature.
In addition to describing the painting by K.F. Yuon "The end of winter. Noon. Ligachevo”, our website contains many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on a painting, and simply for a more complete acquaintance with the work of famous masters of the past.
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Description of the painting by Yuon “The end of winter. Noon"
The end of winter is the time when nature comes to life in anticipation of the coming spring.
The time when you want to breathe deeply, reveling in the fresh air.
The sun is already warming and the snow is melting from its rays.
Yuon's painting depicts exactly this time when winter recedes, and the long-awaited spring comes to replace it.
The snow is no longer fluffy like in winter, but loose and wet.
It is already beginning to melt, and very soon mischievous murmuring streams will run.
Chickens and a rooster trample on this snow on the path, they peck at something from the ground.
They are like bright spots against the already dirty snow.
Everything is still covered in snow, even the roofs of houses, but it feels like spring is coming very soon.
The sky became somehow translucent and weightless.
The air is humid and clean, it is intoxicating and impossible to breathe.
As if there is not enough lung capacity to inhale and get enough of it.
Only the warm rays of the sun and the heady air can breathe joy and desire to live into a person.
One feels how nature wakes up and begins new life.
The forest on the mountain is shrouded in a light haze, it seems that something new is being born behind the mountain and it is because of it that spring will come with all its charms.
Near the fence there are several people who decided to take advantage of maybe already last chance To ski.
Two are standing, leaning on sticks, and the third has already taken off his skis.
The three of them are waiting for a friend who is crossing the bridge.
Apparently, they had already finished their walk on a warm day, at the end of winter.
Now they are waiting for each other to go home together and drink hot fragrant tea.
It is spring-like warm outside, which means that very soon the snow will melt, and other chores will begin.
Yuon knows how to convey the mood of a sunny day.
His landscapes inspire and inspire.
They give the person looking at them a feeling of lightness, freedom and weightlessness.
You can feel the warmth of the sun's rays and the freshness of almost spring air.
Konstantin Fedorovich Yuon
End of winter. Noon. Ligachevo
Canvas, oil. 89x112 cm
State Tretyakov Gallery,
Moscow
The great skill of Yuon as a landscape painter lies in the fact that he can turn the most ordinary landscape motif into an artistic image that attracts with poetry and freshness of perception of the world. A vivid example of this is one of the best paintings by the artist “The End of Winter. Noon".
The artist depicted a typical corner of the Moscow region. Country yard, snow-covered distances - everything is flooded with the rays of the sun. Trunks of birch trees and spring-like loose snow dazzling white. A wooden house on a hillock, children skiing, chickens digging in the snow give the landscape a “lived-in” and special warmth. There is a lot of true poetry in a simple, familiar landscape motif.
The painting “The end of winter. Midday "is distinguished by naturalness, vital immediacy. It seems that the artist did not think about the composition, but simply wrote what was before his eyes. But actually it is not. The composition of this canvas has its own logic, which is why the picture makes such an integral impression. In fact, the fence divides it into almost equal parts horizontally, the house on the left is balanced by the dark masses of fir trees on the right. This brings the necessary balance to the composition, prevents it from falling apart.
The thoughtfulness of the compositional decision made it possible for Yuon to focus the viewer's attention on the main thing that he wanted to express, namely, on the feeling of vitality lurking in nature, on the feeling of joy, festivity that a person experiences in the face of nature triumphant in its eternal beauty. This feeling and this feeling arise mainly due to the radiant coloration, with which Yuon achieves the impression of a bright sunny day. With great skill, snow is painted in the picture, transparent blue shadows from trees, haze enveloping the forest distances. This skill made it possible to convey with great persuasiveness the state of nature on the eve of spring, when the sun begins to warm up, when the shadows become deeper, when nature wakes up after winter days.
It is important that Yuon connects the life of nature with man, whose presence brings special warmth to the picture. At the same time, the feeling of festivity that the picture radiates seems natural, alive due to the presence of people in the picture. The artist seems to be saying that his feelings when looking at this view are akin to the feelings of skiers returning from a walk. He immediately introduces the viewer into his world of feelings and thoughts, reveals to him the beauty in nature.
By means of composition and coloring, the artist affirms the ever-living life of nature and its impact on the feelings and thoughts of man. These tools are very typical. Despite its construction, the picture gives the impression of freedom and naturalness. It seems to be a fragment of a large panorama: the edges of the frame cut off the tops of birches and blue shadows from trees, the viewer mentally imagines the whole house and spruce trees behind the right edge of the picture.
The color of the picture is based on contrasting comparisons and combinations. Dark, brown-green spruces are contrasted with white snow with intense blue and blue shadows. The color composition of the canvas is enlivened by a bright spot of a stack of yellow firewood and a red rooster rummaging in the snow. Colorful combinations create that emotional tension, which helps the artist to express the feeling of freshness, joy, festivity that arises when looking at this jubilant nature.
Yuon's painting testifies to the use of great realistic traditions of Russian landscape painting. Here one can recall the colorful canvases of Kuindzhi or Yuon's contemporary artist Rylov. These traditions consist primarily in the truthful depiction of nature, in the desire to find features in it that would allow the artist to express his exciting feelings. These traditions also consist in the desire to create a landscape-picture that contains a large world, affirming a significant idea. But it is natural that Yuon, as an extremely original and original master, reworked these traditions in his own way and expressed in his picture the thoughts that excite his contemporaries - the Soviet people of the late 1920s.
Yuon's painting “The End of Winter. Noon”, distinguished by bright, decorative sound of colors, captivates with the spirit of life-affirmation, optimism. The art of this wonderful painter will always serve as an example of purposeful and thoughtful creative work aimed at a deep understanding of reality and the expression in artistic images of the great social ideas of his era.
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