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Such relatives, but completely different - this statement is consistent with the characteristics of Pushkin’s heroines in the novel Eugene Onegin. The daughters of respected parents, the Larins, who at that time received the best education and were respected among those around them. However, their character, behavior and actions differ.

Pushkin's attitude towards girls

Pushkin’s own opinion towards young girls is the opposite: Tatyana for him is a sweet ideal girl, wife, but Olga’s presence and behavior bothers her, and she becomes a lived-in character. Why is that?


Character and position in society

The daydreaming that Tatyana possessed shaped her inner world. She knew about love by reading novels, and she sacredly believed them. Tatyana, despite her young age, has a poetic and spiritual nature. She seems to be above all the social fuss, talk about fashion and omens. Nobility, purity, and loyalty were clearly visible in her facial features.

Unlike her sister, Olga had a wild and cheerful disposition. Men liked her, she was loved, however, for others she was a momentary episode. In simple words, she was like everyone else: she went to balls, dreamed of a rich betrothed and had empty small talk. There was a lot of it everywhere, so it’s not surprising that many people were tired of it. In the image of Olga Larina we see frivolity, beautiful appearance behind which lies emptiness.

Relationships to love

Tatyana is the ideal of fidelity in love, she loves selflessly, tries to understand Onegin’s thoughts. And even when she was one step away from her dream, Onegin sincerely fell in love with her and remained true to her tradition. A sense of duty and the greatest nobility were united in this woman.

Olga was everything to everyone, flirted with everyone, but was not happy. After the murder of Lensky, without hesitation for a long time, she married a military general, forgetting about everything. This frivolous act shows that there was no real love, her feelings are shallow and changeable.

In the image of Olga, Pushkin shows pettiness, commercialism, down-to-earthness and contrasts with the truly noble qualities of Tatyana.

Tatyana was special, one might say unearthly, and this made the author, Onegin, and later readers fall in love with her. Her image contains the whole meaning of a Pushkin girl: pure and friendly, a faithful homemaker and friend. This is a new type of woman.

Comparative characteristics of Tatyana and Olga Larin with quotes

Pushkin’s main goal in the novel “Eugene Onegin” is the depiction of leading personalities and their attitude to Russian reality. With particular tenderness, he draws female images. These are Tatyana and Olga Larina, two sisters and complete opposites.

They differ from each other externally and differ in internal content. Both grew up in a poor noble family, where they keep “the habits of dear old times.” That's all they have in common. If Olga is “always as cheerful as the morning,” then Tatyana is “wild, sad, silent.” Olga is sociable, plays with her friends, and indulges in noisy fun. Tatyana either retires with books or admires nature.

Olga is very attractive in appearance, she has blue eyes, a beautiful smile and “flaxen curls,” but there is “no life” in her features. The author considers the younger sister to be a beautiful, but empty and stupid girl. This is manifested in her love story with the young poet Lensky. Although she reciprocates his feelings, love for Olga is a game. Her flirtation with Onegin led to tragedy. After grieving for a short time, she finds new love and marries a lancer. “My poor Lensky! Exhaustingly, she cried for a short time, ... another captivated her attention,” the author gives Olga the last characteristic.


Against the backdrop of a soulless and mediocre sister, the rich man appears even more clearly spiritual world Tatiana. She's no different external beauty, thin, with a pale face, with cold features. Social parties are alien to her. Raised by a nanny, communicating with serf girls, Tatyana honors folk traditions. She likes Christmas fortune telling, she believes in prophetic dreams and reads romance novels, “they replaced everything for her.” This gives her a special originality and sincerity. Pushkin calls Tatyana “sweet” and clearly sympathizes with her because she is endowed with:

With a rebellious imagination,
Alive in mind and will,
And wayward head,
And with a fiery and tender heart.

Tatyana wanted to meet a person who would be close to her in inner content. She considered Onegin to be such a person and sincerely fell in love with him. She writes him a letter in which she reveals her feelings. But Evgeny prefers “freedom and peace.” She accepts Onegin’s refusal with dignity and understands that she is doomed to suffer. Having married an elderly general, she becomes a rich princess, but this does not bring her happiness. Tatyana is ready to change social life on books, on “the wild garden and our poor home.” She, remaining faithful to her husband, rejects Onegin's advances.

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Pushkin, in his work “Eugene Onegin,” often uses the technique of antithesis. The ironic Onegin is contrasted with the ardent Lensky, the lifestyle of the capital's high society is contrasted with the mores of provincial society. Larina’s sisters, Olga and Tatyana, are also contrasted with each other. These are two completely different girls.

Olga is modest, cheerful and cheerful, an obedient and affectionate daughter. The poet Lensky is passionately in love with this girl. She accepts his advances, but Olga’s love is fickle. When the suitor died, she did not grieve for long and got married pretty soon. Olga's appearance is described in some detail. She has the features of a classic romance novel heroine: flaxen curls, a chiseled figure, beautiful blue eyes, a lovely smile. But there is also some disdain in this description - the girl is beautiful, but at the same time superficial. She is “round, red-faced,” but there is “no life” in her features. I think this image was created by the author specifically to emphasize the spiritual qualities of her sister.

Tatyana has a quiet disposition, she is silent and withdrawn into herself. The girl is different from her friends around her. While everyone else is busy filling out albums or doing embroidery, she reads novels and is imbued with the beauty of nature. Tatyana doesn’t even fit into the family circle: “she seemed like a stranger in her own family.”

In the novel, this heroine is an example of the mysterious Russian soul. Tatyanin appearance almost not described, only a few times the author points out that she is not endowed with striking beauty. There is nothing beautiful about this girl, but at the same time she is practically perfect. All thanks to the fact that the heroine is pure and gentle.

The fate of the Larin sisters develops differently. Olga becomes the wife of a brilliant uhlan, and Tatyana marries a noble man and becomes an influential lady. She lived there for a long time unrequited love to Onegin, and when he finally realized that he also loved her, Larina was already a married woman. And, despite the undying feelings, she remained faithful to her husband, embodying best qualities female soul.

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Tatyana Larina Olga Larina
Character Tatyana is characterized by the following character traits: modesty, thoughtfulness, trepidation, vulnerability, silence, melancholy. Olga Larina has a cheerful and lively character. She is active, inquisitive, good-natured.
Lifestyle Tatyana leads a reclusive lifestyle. The best time for her is alone with herself. She loves to watch beautiful sunrises, read French novels, and think. She is closed, lives in her own inner world. Olga loves to spend time in a fun and noisy company. She is easy and easy to communicate. The limited circle of friends does not prevent her from establishing contacts with people around her. Olga can support any topic of conversation, be it fashion, social news or social life.
Attitude towards love Tatyana is the ideal of devotion and fidelity. Love for her is important, of paramount importance. She knows how to truly love. But love for her is not only feelings, it is also responsibility and duty. Tatyana, despite her real sincere feelings, remains true to her choice. Olga's attitude towards love can be described as superficial and frivolous. Olga quickly falls in love and just as quickly can break up with a person and get carried away by another. Her feelings are shallow. However, Olga remains sincere with herself and does not go against her feelings.
Attitude to life and society Tatyana Larina was definitely not satisfied with the events taking place around her. She lived as if out of her time. She did not like anything that was inherent in the society of that time: small talk, noisy balls, coquetry, flirting, fun and idleness. Therefore, Tatyana finds an outlet in dreams and daydreams. Only her own thoughts save her from the “vices” of society. Tatyana's whole life is in her thoughts, doubts, hesitations. Olga Larina’s attitude towards life was formed under the influence of the traditions and “legends” that existed at that time. Constantly being in the epicenter of life, Olga quickly absorbed the frivolity and ambiguity characteristic of society. However, behind the mask of fun and simplicity, emptiness, limitation and disappointment were hidden.
The author's attitude towards the characters The author is condescending towards Tatyana. She is ideal for him. Her modesty, mystery and some drama do not allow the author to part with the image of Tatyana throughout the entire novel. The inner world of Tatyana Larina, her life, experiences, feelings constantly keep both readers and the author in suspense. The author treated the image of Olga rather ironically and biasedly. For him, Olga is an absolute mediocre girl of that time, of which there are many. The author quickly “forgets” about Olga after Lensky’s death. Olga Larina was no longer of interest to either the author or the readers.
    • Eugene Onegin Vladimir Lensky Age of the hero More mature, at the beginning of the novel in verse and during the acquaintance and duel with Lensky he is 26 years old. Lensky is young, he is not yet 18 years old. Upbringing and education He received a home education, which was typical for most nobles in Russia. The teachers “didn’t bother with strict morals,” “they scolded him a little for pranks,” or, more simply, spoiled the little boy. He studied at the University of Göttingen in Germany, the birthplace of romanticism. In his intellectual baggage [...]
    • A. S. Pushkin’s novel “Eugene Onegin” is an unusual work. There are few events in it, many deviations from the storyline, the narrative seems to be cut off halfway. This is most likely due to the fact that Pushkin in his novel poses fundamentally new tasks for Russian literature - to show the century and people who can be called heroes of their time. Pushkin is a realist, and therefore his heroes are not just people of their time, but also, so to speak, people of the society that gave birth to them, i.e. they are people of their own […]
    • “Eugene Onegin” is a well-known work by A.S. Pushkin. Here the writer realized his main idea and desire - to give an image of a hero of the time, a portrait of his contemporary - a man of the 19th century. Onegin's portrait is an ambiguous and complex combination of many positive qualities and great shortcomings. The image of Tatiana is the most significant and important female image in the novel. The main romantic storyline of Pushkin's novel in verse is the relationship between Onegin and Tatyana. Tatiana fell in love with Evgeniy [...]
    • Pushkin worked on the novel “Eugene Onegin” for over eight years - from the spring of 1823 to the autumn of 1831. We find the first mention of the novel in Pushkin’s letter to Vyazemsky from Odessa dated November 4, 1823: “As for my studies, I am now writing not a novel, but a novel in verse – a devilish difference.” The main character of the novel is Evgeny Onegin, a young St. Petersburg rake. From the very beginning of the novel, it becomes clear that Onegin is a very strange and, of course, special person. He was, of course, in some ways similar to the people [...]
    • It was no coincidence that the great Russian critic V. G. Belinsky called A. S. Pushkin’s novel “Eugene Onegin” “an encyclopedia of Russian life.” This is connected, of course, with the fact that not a single work of Russian literature can compare with the immortal novel in terms of the breadth of coverage of the writer’s contemporary reality. Pushkin describes his time, noting everything that was essential for the life of that generation: the life and customs of people, the state of their souls, popular philosophical, political and economic trends, literary preferences, fashion and […]
    • I would like to return again and again to Pushkin’s word and his wonderful novel in verse “Eugene Onegin”, which presents the youth of the 20s of the 19th century. There is a very beautiful legend. One sculptor sculpted a beautiful girl from stone. She looked so alive that she seemed ready to speak. But the sculpture was silent, and its creator fell ill from love for his wonderful creation. After all, in it he expressed his innermost idea of ​​female beauty, invested his soul and was tormented that this […]
    • Pushkin's original intention for the novel Eugene Onegin was to create a comedy similar to Griboyedov's Woe from Wit. In the poet's letters one can find sketches for a comedy in which the main character was portrayed as a satirical character. During the work on the novel, which lasted more than seven years, the author’s plans changed significantly, as did his worldview as a whole. By its genre nature, the novel is very complex and original. This is a "novel in verse." Works of this genre are also found in other [...]
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    • Creating the image of his time and the man of his era, Pushkin in the novel “Eugene Onegin” also conveyed his personal idea of ​​​​the ideal of a Russian woman. The poet's ideal is Tatyana. Pushkin speaks of her like this: “A dear ideal.” Of course, Tatyana Larina is a dream, a poet’s idea of ​​what a woman should be like to be admired and loved. When we first meet the heroine, we see that the poet distinguishes her from other representatives of the nobility. Pushkin emphasizes that Tatyana loves nature, winter, and sledding. Exactly […]
    • Evgeny Onegin is the main character of the novel of the same name in poems by A. S. Pushkin. He and his best friend Vladimir Lensky appear as typical representatives of noble youth, who challenged the reality around them and became friends, as if united in the fight against it. Gradually, the rejection of the traditional ossified principles of the nobility resulted in nihilism, which is most clearly visible in the character of another literary hero - Yevgeny Bazarov. When you start reading the novel “Eugene Onegin”, then [...]
    • Let's start with Katerina. In the play "The Thunderstorm" this lady is the main character. What is the problem with this work? The problematic is the main question that the author asks in his work. So the question here is who will win? The dark kingdom, which is represented by the bureaucrats of a provincial town, or the bright beginning, which is represented by our heroine. Katerina is pure in soul, she has a tender, sensitive, loving heart. The heroine herself is deeply hostile to this dark swamp, but is not fully aware of it. Katerina was born […]
    • Roman A.S. Pushkin introduces readers to the life of the intelligentsia at the beginning of the 19th century. The noble intelligentsia is represented in the work by the images of Lensky, Tatyana Larina and Onegin. By the title of the novel, the author emphasizes the central position of the main character among other characters. Onegin was born into a once rich noble family. As a child, he was away from everything national, isolated from the people, and Eugene had a Frenchman as his teacher. Eugene Onegin’s upbringing, like his education, had a very […]
    • Spiritual beauty, sensuality, naturalness, simplicity, the ability to sympathize and love - these are the qualities of A.S. Pushkin endowed the heroine of his novel “Eugene Onegin”, Tatyana Larina. A simple, outwardly unremarkable girl, but with a rich inner world, she grew up in a remote village, reads romance novels, loves her nanny’s scary stories and believes legends. Her beauty is within, it is deep and vibrant. The heroine's appearance is compared with the beauty of her sister, Olga, but the latter, although beautiful on the outside, is not […]
    • Pushkin's famous novel in verse not only fascinated lovers of Russian literature with its high poetic skill, but also caused controversy over the ideas that the author wanted to express here. These disputes did not spare the main character, Eugene Onegin. The definition of “superfluous person” has long been attached to him. However, even today it is interpreted differently. And this image is so multifaceted that it provides material for a wide variety of readings. Let’s try to answer the question: in what sense can Onegin be considered “superfluous […]
    • It has long been recognized that the novel “Eugene Onegin” was the first realistic novel in Russian literature. What exactly do we mean when we say “realistic”? Realism, in my opinion, presupposes, in addition to the truthfulness of details, the depiction of typical characters in typical circumstances. From this characteristic of realism it follows that truthfulness in the depiction of particulars and details is an indispensable condition for a realistic work. But this is not enough. Even more important is what is contained in the second part […]
    • Troekurov Dubrovsky Quality of characters Negative hero Main positive hero Character Spoiled, selfish, dissolute. Noble, generous, decisive. Has a hot character. A person who knows how to love not for money, but for the beauty of the soul. Occupation: A wealthy nobleman, he spends his time in gluttony, drunkenness, and leads a dissolute life. Humiliation of the weak brings him great pleasure. He has a good education, served as a cornet in the guard. After […]
    • Alexander Sergeevich Pushkin is a man of broad, liberal, “censored” views. It was hard for him, a poor man, to be in a secular hypocritical society, in St. Petersburg, with a palace sycophantic aristocracy. Away from the “metropolis” of the 19th century, closer to the people, among open and sincere people, the “descendant of the Arabs” felt much freer and “at ease.” Therefore, all of his works, from epic-historical ones, to the smallest two-line epigrams dedicated to the “people” breathe respect and […]
    • Masha Mironova is the daughter of the commandant of the Belogorsk fortress. This is an ordinary Russian girl, “chubby, ruddy, with light brown hair.” By nature she was cowardly: she was afraid even of a gun shot. Masha lived rather secluded and lonely; there were no suitors in their village. Her mother, Vasilisa Egorovna, spoke about her: “Masha, a girl of marriageable age, what is her dowry? - a fine comb, a broom, and an altyn of money, with which to go to the bathhouse. Well, if there is a kind person, otherwise you’ll sit yourself in girls forever [...]
    • The controversial and even somewhat scandalous story "Dubrovsky" was written by A. S. Pushkin in 1833. By that time, the author had already grown up, lived in a secular society, and became disillusioned with it and the existing government order. Many of his works dating back to that time were under censorship ban. And so Pushkin writes about a certain “Dubrovsky,” a young, but already experienced, disappointed, but not broken by everyday “storms,” a man of 23 years old. There is no point in retelling the plot - I read it and [...]
    • In literature class we studied the poem “Ruslan and Lyudmila” by Alexander Sergeevich Pushkin. This is an interesting work about the brave knight Ruslan and his beloved Lyudmila. At the beginning of the work, the evil sorcerer Chernomor kidnapped Lyudmila straight from the wedding. Lyudmila's father, Prince Vladimir, ordered everyone to find his daughter and promised the savior half the kingdom. And only Ruslan went to look for his bride because he loved her very much. There are many fairy-tale characters in the poem: Chernomor, the sorceress Naina, the wizard Finn, the talking head. And the poem begins […]
  • A.S. Pushkin in his famous novel in verse compared the images of two girls. The comparison of Olga and Tatyana in the novel “Eugene Onegin” performs the most important function in the narrative: in this way the author shows Tatyana’s unusual features.

    Appearance

    A comparative description of Tatyana and Olga Larin includes both similarities and differences. The similarities between the girls are evident in the fact that they are sisters, both young noblewomen who were raised in the same conditions. Both are sweet, innocent and simple-minded girls. However, these female images have much more differences than similarities.

    Olga has beautiful appearance, and the author emphasizes this in every possible way. Blue eyes, flaxen hair, smile, movements, voice that attracted people around her. The author says that Tatyana had neither sisterly beauty nor her “ruddy freshness.” He emphasizes Tatiana’s pallor; she is pale “like a shadow.”

    Lifestyle

    Olga was younger than Tatyana, but she already knew how to behave in society. Olga is “always modest, always obedient, always cheerful as the morning.”

    She was a socialite, but Tatyana loved to spend time alone, she read novels in which she looked for love ideals. Olga, in reality, communicated with the opposite sex; the poet Lensky was crazy about her. However, Olga was fickle and flighty, which is always emphasized by the author of the novel in verse. Tatyana is a constant girl, even after the wedding she admits to Onegin that she has always loved him. Olga, after the death of her “adorator” Lensky, almost immediately forgets him and finds a replacement in the form of a lancer.

    Tatyana did not like pleasures, she was bored playing with other guys, they considered her strange. Olga was the life of the party; she had many friends with whom she played burners.

    The epithet “playful”, which characterizes the image of Olga, is contrasted with the epithets “wild, sad, silent”, which are associated with the image of Tatiana.

    Olga's laughter never ceased in the house; she was a thrifty girl, the whole family loved her. Tatyana was the “wild doe” in the family, she was constantly sad. For her, it was not her mother who was closer, but her nanny.

    Tatyana, unlike Olga, believes in “legends of antiquity,” which is why her image is so mysterious. It is she of the sisters who has symbolic dreams.

    Author's attitude

    A.S. Pushkin, describing the beauty of Olga, says that her image is typical; these are the girls that are described in all novels. Therefore, he is already tired of this type, he does not want to describe Olga’s image in detail. He puts Tatyana, who is unlike anyone else, at the center of the story. He is attracted by the unusualness of the heroine; for him Tatyana is a “sweet ideal.”

    “Just out of diapers, / Coquette, flighty child!” - this is how A. S. Pushkin describes Olga Larina. There was not a drop of coquetry in Tatyana. The writer compares her with the heroine of V. A. Zhukovsky’s ballad “Svetlana,” whose image is silent and mysterious.

    The image of Olga is typical of A. S. Pushkin’s contemporary society. Therefore, against her background, Tatyana becomes an unusual heroine, interesting for detailed consideration. Comparing the two female images, the writer showed two types of girls who were almost completely different from each other.

    This article will help you see the similarities and differences between the images of Tatyana and Olga Larin. She will help you write an essay “Comparison of Olga and Tatiana in Eugene Onegin.”

    Work test


    STATE OF MIND:

    Tatyana: she was withdrawn and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked peace and solitude more, in which she found a certain comfort, which was also decorated with her dreams. She was still a child at heart. She fell in love with the “deceptions of Richardson and Rousseau” - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

    She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered like a heroine French novels, which Tatyana grew up with.

    Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like the morning”; simple-minded, “like the life of a poet,” simple. Even her movements and voice were light, and she was characterized by “ruddy freshness.” However, Onegin believed that “Olga has no life in her features.” She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish or tragedies. “Like windy hope, playful, carefree, cheerful.” At one ball, her frivolous attitude and frivolity, quite typical of many society ladies, are especially revealed: “Barely out of diapers, a coquette, a flighty child! She knows cunning, she’s already learned to cheat.” Olga reacted quite simply to Lensky’s death: “Yawning, she cried for a short time. Alas! The young bride of her sadness is unfaithful. Another captivated her attention.” And soon she got married.

    Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous description, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! Now I’m shedding tears with you.” And he admits, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”

    Olga: In the very first lines of Olga’s description, Pushkin gives her a very pleasant description. However, he considers her flighty, frivolous, and eventually admits that he is very tired of her. Pushkin enclosed all her beauty in her appearance, but there was nothing left for her soul. She was not a bad person for the poet, he just saw her as empty.

    COMMUNICATION, RELATIONS WITH SOCIETY:

    Tatyana: The society to which her sister was drawn was alien to her. Since childhood, she “was a child herself; she didn’t want to play or jump in a crowd of children, and often sat alone all day silently by the window.” Even in the family, she felt like she didn’t belong; she didn’t consider the interests of society similar to her own. And “from the most lullaby days, thoughtfulness is her friend.” She was not looking for other friends.

    Olga: She matched secular society, was sociable, cheerful, as a child the nanny collected for Olga wide circle all her friends, they played happily. She belonged in this society, loved evenings, balls, was flirtatious with guys, friendly with her friends.

    INDIVIDUALITY:

    Tatyana: absolutely not like others. Even her name was used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she was often sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people.” She was an excellent dreamer.

    Olga: Pushkin says that Olga is “as sweet as the kiss of love, eyes like the sky, blue, smile, flaxen curls, movements, voice, light figure - everything in Olga...” However, you will meet such a person in any novel, there are plenty of them, that’s why Pushkin was immensely tired of it. He had met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.

    INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

    Olga: loved fun, holidays, balls, activities of the secular youth of that time, games and amusements, entertainment, fashion, girlfriends. Raised by society, adjusted to its laws.

    Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin"

    The work of A.S. Pushkin "Eugene Onegin" tells about two completely different girls - Tatyana and Olga.

    Olga is a cheerful, modest, cheerful girl. She is an obedient daughter, her parents love her very much. Lensky is madly in love with Olga. She reciprocates his courtship, but her love is fickle. When Lensky died, she did not grieve for long and soon got married.

    Tatyana, on the contrary, is sad, silent, very withdrawn into herself. She is not like other girls. While everyone was embroidering, filling out albums, flirting with each other, Tatyana was reading novels and admiring nature. Unlike her sister, “she She seemed like a stranger to her own family. She did not settle down to caress her father or her mother." Tatyana was unrequitedly in love with Eugene for a long time. When Onegin finally realized that he loved Larina, she was already married to a noble man. Despite more preserved love for Evgeniy, Tatyana remained faithful to her husband.

    In my opinion, both girls are good - they have never done anything bad to anyone. Pushkin also likes both heroines, but according to the author "... her portrait (Olga) is very sweet to me, I used to love him myself, but he tired me immensely. ..”Tayana, on the contrary, is supported by the author in every possible way, called “dear Tatyana.” Based on the above, it follows that Pushkin sympathizes with Tatyana Larina, despite, and perhaps even due to, her unusual behavior.